The thing is, as a film director, you're essentially alone: You have to tell a story primarily through pictures, and only you know the film you see in your head.
I was standing right behind Marilyn, completely invisible, when she sang 'Happy birthday, Mr. President.' And indeed, the corny thing happened: Her dress split for my benefit, and there was Marilyn, and yes, indeed, she didn't wear any underwear.
I am drawn to the mystery of marriage. You can never know what the contract is between two people, and that is a very strong subject. I think it may be my subject.
You can always tell gifted and highly intelligent people as they always turn to the past. Any young person who knows anything that happened before 1980, or 1990, or 2000 for that matter, is immediately someone who is intelligent, probably creative, maybe a writer. Nobody who is drawn to the past and learning about the past is not gifted.
My first memory in the world is my gym teacher ripping my mother's necklace off her neck and throwing it out the window and her running downstairs to go after it. I have no memory before that. I was 4. My father had a lot of girlfriends and my mother had a lot of boyfriends.
American society to me and my brother was thrilling because, first of all, the food made noise. We were so excited about Rice Krispies and Coca-Cola. We had only silent food in our country, and we loved listening to our lunch and breakfast.
When we talk about reviews, what we are really talking about is just a market report - it's like reading about the new Lexus. You have to know what the guy writing the review cares about to understand his take. Does he like sports cars, or does he like Bentleys?
I never understand when people say, 'Do you do comedy or tragedy?' I don't think they're very much different. They both have to be true, and there isn't a great play in the world that doesn't have funny parts to it - as 'Salesman' does, as 'King Lear' does. The whole idea is to reflect life in some way, which means surely you have to have both.